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Georges Rouault
(1871-1958)
Georges
Rouault was born during a bombardment of his Quarter at the
time of the Paris Commune of 1871; an appropriate beginning
for one of the most powerful artists of the century. Rouault
was preoccupied throughout his life with man's inhumanity
to fellow man. However, his art does not pass judgment on
the human condition; rather it offers hope for a new beginning.
A French expressionist artist, Rouault first apprenticed
to a stained-glass maker. More than any other 20th century
artist, one associates Rouault with the extremes of human
emotions and actions. He portrayed absolutes: the outcast
and the saint, the sufferer and the redeemer. Yet these extremes
merge into one.
After 1891 Rouault studied under Gustave Moreau. He exhibited
several paintings with the Fauves in 1905. His sorrowful and
bitter delineations of judges, clowns, and prostitutes caused
a great stir in Paris. The suffering of Christ was his frequent
subject. His thickly encrusted, powerfully colored images,
outlined heavily in black, have the effect of icons and a
pattern suggestive of stained glass.
Rouault's search for absolute values has its counterpart
in his highly individual graphic techniques. Around 1916,
Rouault began more than a decade of work for the publisher
Vollard. Using a variety of graphic processes, he executed
a series of about 60 prints called Miserere. The metaphysical
quality of his monchrome lithographs and the magnificent blacks
of his monochrome intaglios were achieved through highly unorthodox
techniques. For his color aquatints, Rouault employed the
sugar-lift process to realize colors which are at once, rich,
subtle and luminous.
He continued to paint the themes he had used earlier, but
in a more tranquil style. Rouault's works are unequaled in
the religious art of our time. Examples of his art can be
found in many European and American collections. The Museum
of Modern Art, New York City, owns his Three Judges and Christ
Mocked by Soldiers. Georges Rouault died in 1958 at age 87.
During his long career he was able to translate a profound
moral vision into an equally intense aesthetic experience.
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