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Frank AUERBACH
(b. 1931)
Together
with Francis Bacon and Lucian Freud, Frank Auerbach is a leading
figure in British art and recognized internationally as a
post world war modern master. Frank Auerbach has become a
symbol of "Englishness," heralded as a British icon. Identified
with the Neo-Expressionist current, Auerbach had been well
established long before the movement began to attract international
attention. He carries expressionist techniques to extreme
lengths, creating a style incredibly innovative and distinct.
Like Freud, Auerbach is of German Jewish origin. Born in
Berlin in 1931, he arrived in Britain as a refugee in 1939.
His parents perished in the Holocaust. Early in his career
Auerbach came into contact with David Bomberg, one of the
leading members of the Vorticist Group prior to the First
World War. Auerbach inherited from his tutor a pictorial language
mainly concerned with tangible surface and intense identification
with the object viewed. Dramatically influenced by Bomberg,
Auerbach chose to devote himself to art and studied at St.
Martin's School of Art and at the Royal College of Art in
London where he graduated A.R.C.A. 1st Class Honors, Silver
Medal.
Auerbach has cut a niche for himself in art history through
his unrivalled use of pigment. His distinctive, viscous impasto
surface takes on form, approaching relief. The layers of paint
are built up in a repetitive process involving painting, scraping,
and repainting. The thickness of his paint, however, does
not overburden the sensitivity of his contemplations or his
dynamic relationships with his subjects. A variety of moods
arise from each work through the combination of delicate tone
and color, and strongly masculine line.
Unquestionably passionate about his work, Auerbach spends
nearly seventy hours a week painting in his studio. His focus
has remained close friends and the cityscape of London. Auerbach
reveals his motivation: "I think I've been trying to do the
same thing all my life in different ways. It is trying to
find the essential painting: a new, raw, exciting and unpredictable
invention, one which stands absolutely and convincingly for
something
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